{"id":3308,"date":"2014-11-26T14:25:00","date_gmt":"2014-11-26T12:25:00","guid":{"rendered":"https:\/\/www.nadalokal.at\/?p=3308"},"modified":"2015-04-20T15:49:48","modified_gmt":"2015-04-20T13:49:48","slug":"3308","status":"publish","type":"post","link":"https:\/\/www.nadalokal.at\/?p=3308","title":{"rendered":""},"content":{"rendered":"<div class=\"one_half\"><!-- meta slider -->\n<div style=\"max-width: 460px;\" class=\"metaslider metaslider-responsive metaslider-3316 ml-slider\">\n    \n    <div id=\"metaslider_container_3316\">\n        <ul id='metaslider_3316' class='rslides'>\n            <li><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2014\/11\/\u00a9KasiaBaba_KasiaChmura-Cegielkowska-small-401x307.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3316 slide-3317\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9Kasia Baba and Kasia Chmura-Cegielkowska\r\n<\/div><\/div><\/li>\n        <\/ul>\n        \n    <\/div>\n    <script type=\"text\/javascript\">\n        var metaslider_3316 = function($) {\n            $('#metaslider_3316').responsiveSlides({ \n                timeout:3000,\n                pager:false,\n                nav:true,\n                pause:true,\n                speed:600,\n                prevText:\"&lt;\",\n                nextText:\"&gt;\",\n                auto:false\n            });\n        };\n        var timer_metaslider_3316 = function() {\n            var slider = !window.jQuery ? window.setTimeout(timer_metaslider_3316, 100) : !jQuery.isReady ? window.setTimeout(timer_metaslider_3316, 1) : metaslider_3316(window.jQuery);\n        };\n        timer_metaslider_3316();\n    <\/script>\n<\/div>\n<!--\/\/ meta slider--><\/div> <div class=\"one_half_last\">\r\n<h1>BEFORE IT MADE US WILD<\/h1>\r\nEXHIBITION \/ DANCE \/ PERFORMANCE \/ DISCUSSION\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\n<h9>Thursday 18, Friday 19, Saturday 20 December 2014 at 19:30<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nA performance event accompanied by an exhibition\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nARTISTS<br class=\"\u201cclear\u201d\" \/>\r\nMagda Tothova (SK), Paul Philipp Heinze (DE), Aleksandra Bo\u017cek-Muszy\u0144ska (PL), Mirela Baciak (PL) <br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\n<!--more-->\r\nFrom the ArchiveFileNR.:Xl-797-998.1\/2_ The here rediscovered gestures belong to a group of subjects, most likely from the early 21st century. We assume that the focus of their actions was to express a sense of femininity, strength, humor, passion, wittiness and so called sexual desire. We also assume that the globalization of these gestures might have been one of the aims of the so called late neoliberal society. The strong use of hands, head and upper body has to be outlined here. For more details read ArchiveFileNR: OPD-3178-97\/2\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\ncredits<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nDANCE PERFORMANCE: Aleksandra Bo\u017cek-Muszy\u0144ska<br class=\"\u201cclear\u201d\" \/>\r\nSLIDE PERFORMANCE: Magda Tothova <br class=\"\u201cclear\u201d\" \/>\r\nSOUND PERFORMANCE: Paul Philipp Heinze <br class=\"\u201cclear\u201d\" \/>\r\nSPEECH PERFORMANCE: Mirela Baciak <br class=\"\u201cclear\u201d\" \/>\r\nPROJECTOR STANDS: Ulrich Dertschei <br class=\"\u201cclear\u201d\" \/>\r\nCOSTUME: Katharina Maria Kappert<br class=\"\u201cclear\u201d\" \/>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nThe Performance event is accompanied by works of Mirela Baciak, Aleksandra Bo\u017cek-Muszy\u0144ska, Ulrich Dertschei, Veronika Hauer, Paul Philipp Heinze, Antje Majewski, Juliane Solmsdorf, Magda Tothova.\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nThursday December 18th<br class=\"\u201cclear\u201d\" \/> \r\nWe will welcome you after the performance with a small catering and some drinks\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nFriday December 19th<br class=\"\u201cclear\u201d\" \/>\r\nBe ready to attend a mega nail art competition hosted by Ipek Hamzao\u011flu\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nSunday December 20th<br class=\"\u201cclear\u201d\" \/>\r\nThe performance will be followed with a talk with Gabrielle Cram, dramaturge at tanzquartier. \r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nBIOGRAPHIES\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nMagda Tothova<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nMagda Tothova (born 1979 in Bratislava), lives and works in Vienna and Berlin\r\n<br class=\"\u201cclear\u201d\" \/>\r\nTothova received a MA from the University of Applied Arts Vienna and previously studied at the School for Artistic Photography Vienna (F. Kubelka) and was a visiting student at Gerrit Rietveld Academy, Amsterdam. Tothova made a solo exhibition at Federico Bianchi Contemporary Art, Milan (2010\/2013), and her work has been presented in group exhibitions in the following galleries and non-profit institutions, among others: Galeria Studio, Warsaw (2014), Adds Donna, Chicago (2013), HDLU Zagreb (2013), Europe House, Tbilisi (2012), Bytom, Poland (2012), Sculpturegarden, Strombad Kritzendorf, Klosterneuburg (2012), Project Artspace, New York (2012), and Sofia City Art Gallery, Sofia (2012). She has been an artist-in-residence in London, Copenhagen and in Chicago.\r\n<br class=\"\u201cclear\u201d\" \/>\r\nSince 2004 editorial member of the art fanzine: Chicago\/Times\/Plotter\/Helvetica\/DIN\/ Techno\/L\u00f6hfelm\/RR_02\/Univers\/Tiffany\/Circuit\/Memphis\/Gringo\/Zeus\/The Mix\/Princess Lulu\/Pigiarniq \/Paper\/Libertine\/Trixie\/D\u00e9j\u00e1 vu\/Auto\/Rediviva\/Acid\/Wanda\/Loraine\r\n<br class=\"\u201cclear\u201d\" \/>\r\nSince 2013 member of the international artist network \u0192\u0192\r\n<br class=\"\u201cclear\u201d\" \/>\r\nTothova\u2019s work revolves around modern utopias, constructed norms, social models and their failures, how to address personal and social issues in the private and the political field. Borrowing heavily from fairy tales and science fiction, she is interested in the formation of myths or the essentialism underlying the concept of chance.\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nPaul Philipp Heinze<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nPaul Philipp Heinze (born 1981 in Leipzig) is a german contemporary artist.\r\n<br class=\"\u201cclear\u201d\" \/>\r\nAfter living in Istanbul and Chicago for longer periods he moved back to Berlin and Vienna.\r\n<br class=\"\u201cclear\u201d\" \/>\r\nHeinze explores topics such as \u201cidentity construction\u201d, \u201cposthumanism\u201d, \u201cpost-internet economy\u201c and \u201ccognitive capital\u201c by mostly referring to artistic practices like installation, performance and intervention. Using all sorts of material and media he describes his artistic work as &#8222;sculptural (german: bildhauerisch) in the broadest sense&#8220; while emphasizing the \u201csensual qualities\u201d of concepts. Due to his longstandig musical practice he uses the term &#8222;polystylism&#8220; to characterise his deeply philosophical body of work.\r\n<br class=\"\u201cclear\u201d\" \/>\r\nPaul Philipp Heinze studied at UDK Berlin, ERBA Nantes and HGB Leipzig where he received his diploma with honors (MFA) in Media Arts.\r\n<br class=\"\u201cclear\u201d\" \/>\r\nHe is collaborating with various artists on diverging projects and his work has been subject of numerous international exhibitions including Teatr Studio Warsaw (2014), S T O R E Dresden (2014), Art Museum Magdeburg (2014), Gallery of the Ministry of Culture Pristina (2013), ADDS DONNA Chicago (2013), Laden f\u00fcr Nichts Leipzig (2013), Artplay Moscow (2013), PROGR Bern (2012), Maison de l\u2019Architecture Nantes (2011), Gallery Duplex Sarajevo (2011), Kunsthalle Exnergasse Vienna (2011), Black Door Istanbul (2010), Galerie Hafenrand Hamburg (2010).\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nAleksandra Bo\u017cek-Muszy\u0144ska <br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nAleksandra Bo\u017cek-Muszy\u0144ska (born 1982 in Poland) is a performer, dancer, choreographer, contemporary dance instructor, Russian philologist, business coach.\r\n<br class=\"\u201cclear\u201d\" \/>\r\nIn the past cooperated with independent contemporary dance groups and companies in Poland, like \u201eHoplaaa\u201d &#8211; Cracow, \u201eWahad\u0142o\u201d and \u201eNavras\u201d &#8211; Rybnik. Since 2007 have been working with \u201eMufmi\u201d Dance Theatre in Warsaw, directed by Anna Piotrowska (performances: \u201cMufmi \u2013 spicz\u201d; \u201cUs\u0142ugi p\u0142atne, czyli ca\u0142a Polska plecie dzieciom\u201d; \u201cPuste miejsca\u201d; \u201cZ g\u00f3ry na d\u00f3\u0142\u201d; \u201cB\u00f3g 8 dnia\u201d; \u201cFall(ing) cei(ling)\u201d; \u201cMufmi profilaktycznie\u201d; \u201cPrzesuni\u0119cie\u201d; \u201cRozgrywka\u201d, \u201cCzekaj\u0105c trawnika\u201d).\r\n<br class=\"\u201cclear\u201d\" \/>\r\nAuthoress of solo performances (\u201cDystans\u201d, \u201cKandyzowany\u201d, \u201cIn brief\u201d, \u201cI know \u2116.Thing\u201d) and co-author of duos (\u201cPrza\u015bny\u201d, \u201cCoaching\u201d, \u201cJust Go\u201d, \u201cDo you\u2026?\u201d, \u201cFree.dom\u201d). Awards: \u201cDystans\u201d &#8211; 1st prize at 11. Polish Dance Confrontation, Konin 2010, \u201cIn brief\u201d &#8211; two individual prizes at \u201c3, 2, 1 &#8230; dance\u201d choreographic competition, Cracow 2013, \u201cI know \u2116.Thing\u201d &#8211; \u201cThe best solo\u201d at International Solo &amp;Duo Festival, Budapest 2014 and two individual prizes at \u201c3, 2, 1 &#8230; dance\u201d choreographic competition, Cracow 2014. She works currently as a dance and improvisation teacher and cooperates with &#8222;PerFORM&#8220; and \u201cAppendix\u201d Foundations.\r\n<br class=\"\u201cclear\u201d\" \/>\r\nShe ist interested in creating ideas based on everyday life experiences and combining it with the naturalness and individuality of each dancer. The visual aspect is very strong and dominating in her performances.\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nMirela Baciak <br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nMirela Baciak (born 1987 in Warsaw) lives and works in Vienna\r\n<br class=\"\u201cclear\u201d\" \/>\r\nShe graduated from Art University in Poznan, currently studing at the Academy of Fine Arts Vienna\/ Master in Critical Studies. A person of mixed parentage: post modern dance and institutional theory. Her work revolves around issues of participation, escape and different forms of performativity. Founder of Appendix &#8211; Verein for Performance &#8211; Kunst. Besides her own practice she ocasionally works for theater directors.\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\n<a title=\"back\" href=\"https:\/\/www.nadalokal.at\/?page_id=2749\">&lt;&lt;&lt; back<\/a>\r\n<\/div>","protected":false},"excerpt":{"rendered":"<p>BEFORE IT MADE US WILD EXHIBITION \/ DANCE \/ PERFORMANCE \/ DISCUSSION Thursday 18, Friday 19, Saturday 20 December 2014 at 19:30 A performance event accompanied by an exhibition ARTISTS Magda Tothova (SK), Paul Philipp Heinze (DE), Aleksandra Bo\u017cek-Muszy\u0144ska (PL), Mirela Baciak (PL)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,215,214,216,217,213,218,219,212],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts\/3308"}],"collection":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3308"}],"version-history":[{"count":23,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts\/3308\/revisions"}],"predecessor-version":[{"id":3387,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts\/3308\/revisions\/3387"}],"wp:attachment":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}