{"id":3919,"date":"2016-11-05T11:44:33","date_gmt":"2016-11-05T09:44:33","guid":{"rendered":"https:\/\/www.nadalokal.at\/?p=3919"},"modified":"2016-11-07T14:50:14","modified_gmt":"2016-11-07T12:50:14","slug":"3919","status":"publish","type":"post","link":"https:\/\/www.nadalokal.at\/?p=3919","title":{"rendered":""},"content":{"rendered":"<div class=\"one_half\"><!-- meta slider -->\n<div style=\"max-width: 460px;\" class=\"metaslider metaslider-responsive metaslider-3925 ml-slider\">\n    \n    <div id=\"metaslider_container_3925\">\n        <ul id='metaslider_3925' class='rslides'>\n            <li><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/5.11-457x350.jpg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3925 slide-3934\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB051851-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3925 slide-4054\" \/><\/li>\n        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class=\"slider-3925 slide-4029\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB051773-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3925 slide-4031\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082066-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3925 slide-4101\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB051857-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3925 slide-4047\" \/><\/li>\n        <\/ul>\n        \n    <\/div>\n    <script type=\"text\/javascript\">\n        var metaslider_3925 = function($) {\n            $('#metaslider_3925').responsiveSlides({ \n                timeout:3000,\n                pager:false,\n                nav:true,\n                pause:true,\n                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Saturday<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Daniel Aschwanden:<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>Inspiriert durch Steve Paxton und seine Untersuchungen zu Variation und Improvisation, die der T\u00e4nzer und Choreograf in den 1980er Jahren zur Musik der \u201eGoldbergvariationen\u201c von Johann Sebastian Bach gezeigt hat, hat der T\u00e4nzer und Choreograf Daniel Aschwanden die musikalische und inhaltliche Klammer der Bachschen \u201eClavier \u00dcbung\u201c \u00fcbernommen, um ein Jahr lang im \u00f6ffentlichen Raum aufzutreten. 24 Stunden dieser Performance Aschwandens werden im Oktober 2016 zu genau definierter Zeit und am festgelegten Ort, dem internationalen Busbahnhof neben der U3-Haltestelle Erdberg, gezeigt.<!--more--> Aschwanden hat sich vorgenommen, nachdem ihm die Idee am Morgen bei der t\u00e4glichen K\u00f6rperarbeit eingeschossen ist, ein Jahr lang t\u00e4glich in \u00f6ffentlichen R\u00e4umen zu performen.\r\n\r\nDie performance f\u00fcr die 7 Jahre jubil\u00e4um von nadaLokal wird die Variation Nr. 233 von die serie &#8222;Goldberg 365&#8220;.\r\n\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Karl Karner and Linda Samaraweerov\u00e1\r\n: W\u00fcrfeln &#8211; Fell mit Ball<\/h9>\r\n\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>Das K\u00fcnstlerduo entwickelt ein performatives Setting\u00a0\u00a0aus einem individuellen und langwierigen Kampf und in Suchbewegungen nach L\u00f6sungen aus Verhaltensmustern,um in neue Lebenswirklichkeiten zu gelangen.\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Magda Tothova &amp; Paul Philipp Heinze: TIDAL }{ AIR<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>A short guided meditation with projected handmade slides and improvised soundscapes ::<br class=\"\u201cclear\u201d\" \/>little monsters rest &amp; relax in darkened corners ::<br class=\"\u201cclear\u201d\" \/>devoting themselves to the spirits of nature ::<br class=\"\u201cclear\u201d\" \/>sliding into the brightness of the moment ::<br class=\"\u201cclear\u201d\" \/>into the lightness of the presence ::<br class=\"\u201cclear\u201d\" \/>falling for the forms of colors ::<br class=\"\u201cclear\u201d\" \/>slowly detaching ::<br class=\"\u201cclear\u201d\" \/>gently releasing ::<br class=\"\u201cclear\u201d\" \/>dark &amp; friendly ::<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Julia Zastavar:\r\nSomething must happen<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>Videoscreening, performance.\r\n<br class=\"\u201cclear\u201d\" \/>\u201cSomething must happen\u201d exposes a dream-like reality and shows a life based on a mode of consciousness that could be considered as entranced. In a series of different sceneries, Julia Zastava performs actions in an enchanted way. Even when on her own, she fulfills her tasks without questioning. Elements taken from computer games define the flow, a whip leads through the trip, before it gets finally burned. The effort to escape pre-constructed habits ends in a prefigured mode. The other side, another possible solution, lies in the spectator\u2019s eye.\r\n\r\nWhy does the lady keep on peeling potatoes in the sleeping room? The whip knows. She fulfills duties like in a game. Jewels will be the reward. But only abstract ones, sketches of gems, whose colors seemed to have disappeared into the sky, the waters or into the rainbow of the meditative closing scene. The fulfillment of the induced expectations lies beyond the screen, the images might give a call to reach out beyond too. The video triggers, but does not unveil. It is up to the viewer to anticipate other outcomes.\r\n(Philipp Levar)\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Robert Steijn: snake dance, honouring my latin soulmate<\/h9>\r\n\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>Robert went to Mexico and Brazil to investigate the healing quality of dance, \u00a0he worked with healers, dancers, and shamans, in his quest to meet the feathered serpent. Now he shares the lessons of the snake: tenderly thinking in strongly eroticised encounters. this time in a thirty minute meeting with the audience, who dares to say no to this?\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Nina Prader: The Show-Case<\/h9>\r\n\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>A spoken word discussion &amp; performative zine library.\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Bar Lokal-int: Chri Frautschi &amp; Nicolas Raufaste<\/h9>\r\n\r\n<\/div>","protected":false},"excerpt":{"rendered":"<p>nadaLokal 2009-2016 5.11. Saturday Daniel Aschwanden: Inspiriert durch Steve Paxton und seine Untersuchungen zu Variation und Improvisation, die der T\u00e4nzer und Choreograf in den 1980er Jahren zur Musik der \u201eGoldbergvariationen\u201c von Johann Sebastian Bach gezeigt hat, hat der T\u00e4nzer und Choreograf Daniel Aschwanden die musikalische und inhaltliche Klammer der Bachschen \u201eClavier \u00dcbung\u201c \u00fcbernommen, um ein&#8230;  <a class=\"excerpt-read-more\" href=\"https:\/\/www.nadalokal.at\/?p=3919\" title=\"Read\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,284,286],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts\/3919"}],"collection":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3919"}],"version-history":[{"count":19,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts\/3919\/revisions"}],"predecessor-version":[{"id":3966,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts\/3919\/revisions\/3966"}],"wp:attachment":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}