{"id":3979,"date":"2016-11-08T11:27:31","date_gmt":"2016-11-08T09:27:31","guid":{"rendered":"https:\/\/www.nadalokal.at\/?p=3979"},"modified":"2016-11-08T17:11:44","modified_gmt":"2016-11-08T15:11:44","slug":"3979","status":"publish","type":"post","link":"https:\/\/www.nadalokal.at\/?p=3979","title":{"rendered":""},"content":{"rendered":"<div class=\"one_half\"><!-- meta slider -->\n<div style=\"max-width: 460px;\" class=\"metaslider metaslider-responsive metaslider-3982 ml-slider\">\n    \n    <div id=\"metaslider_container_3982\">\n        <ul id='metaslider_3982' class='rslides'>\n            <li><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/8.11-457x350.jpg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-3981\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082083-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4107\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082084-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4108\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082087-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4109\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082073-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4103\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082074-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4104\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082080-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4106\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082078-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4105\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082070-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4102\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082048-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4096\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082054-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4099\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082058-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4100\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082052-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4097\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082053-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4098\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082025-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4092\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082027-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4093\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082034-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4094\" \/><\/li>\n            <li style='display: none;'><img src=\"https:\/\/www.nadalokal.at\/wp-content\/uploads\/2016\/11\/PB082038-460x352.jpeg\" height=\"352\" width=\"460\" alt=\"\" class=\"slider-3982 slide-4095\" \/><\/li>\n        <\/ul>\n        \n    <\/div>\n    <script type=\"text\/javascript\">\n        var metaslider_3982 = function($) {\n            $('#metaslider_3982').responsiveSlides({ \n                timeout:3000,\n                pager:false,\n                nav:true,\n                pause:true,\n                speed:600,\n                prevText:\"&lt;\",\n                nextText:\"&gt;\",\n                auto:false\n            });\n        };\n        var timer_metaslider_3982 = function() {\n            var slider = !window.jQuery ? window.setTimeout(timer_metaslider_3982, 100) : !jQuery.isReady ? window.setTimeout(timer_metaslider_3982, 1) : metaslider_3982(window.jQuery);\n        };\n        timer_metaslider_3982();\n    <\/script>\n<\/div>\n<!--\/\/ meta slider--><\/div><div class=\"one_half_last\">\r\n<div class=\"one_half_last\"><\/div>\r\n<h1>nadaLokal 2009-2016<\/h1>\r\n<br class=\"\u201cclear\u201d\" \/><h9>8.11. Tuesday (Closing party)<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Fanni Futterknecht: ACROSS THE WHITE<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>In Across the White Fanni Futterknecht focuses on the colour white; referring to colour in painting but also in a metaphorical sense to point out references to the context of the white cube. White symbolizes the space of emptiness giving space to the imaginary and create possibility for the non-existing to start to exist.\r\n\r\nThe starting point of this confrontation was a substantial stay in Shanghai China and the artist\u2019s interest with the art figures of the Chinese opera. Harmony between the human and nature has been a fundamental thought within Chinese culture and can also be found in the narrated motives of the performing arts. \r\n<!--more-->\r\nThe white empty space in theatre as well as the unpainted white space in painting shall allow a continued narration of what is represented even in its absence.\r\n\r\n\r\nThe performance in the film continues a discourse around symbolic and abstract codes of narration and translates them into a unique language of shapes, colours and sound. The work investigates the relationship between image and narration.. A classical story around rebellion, order, naivety and strength is being told.\r\n\r\n\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Brigitte Wilfing: Zwei linke H\u00e4nde<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nDie Bewegung f\u00fchrt \u00fcber Zeichnungen mit ausgestrecktem rechten Arm zu \u00dcbungen f\u00fcr die linke Hand. Sie balanciert rechts und links und m\u00fcndet in (un)demokratischen Haltungen. Durch die B\u00fcndelung beider Seiten erf\u00e4hrt sie Einheit und Grenze. Sie verl\u00e4sst den Weg der vereinbarten Lateralit\u00e4t und bietet ihre linke Hand zum Gru\u00df. Ihre Neugierde richtet sich auf die Welt, die in zwei linken H\u00e4nden entsteht. \r\n\u00bbzwei linke H\u00e4nde\u00ab ist eine Praxis aus der gerade entstehenden choreografischen Arbeit \u00bbeuropa werden\u00ab, einem gestischen Pl\u00e4doyer f\u00fcr Pluralit\u00e4t.\r\n\r\n\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Veza Maria Fernandez: Veza or patience will bring you roses<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nveza or patience will bring you roses is a solo a series of solo pieces in which i translate the work of the () writer i am named after into my texts, my body, my mood, etcetera. veza or patience will bring your roses is (maybe) and ode, a poem, a dance, a private situation a rock. Or\u00a0Veza Fern\u00e1ndez repeatedly attempts to bring back to life the texts of her namesake, the relatively unknown writer Veza Canetti. She slips into her body \u2014 or does it still happen to be her own? She addresses Canetti, she cites her, turns into her.\r\n\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Roland Rauschmeier:<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nRoland will show a selection of his Video works.\r\n\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>lohn:ender G\u0159ammelsound: \u2028Musikalisches &#038; Unmusikalisches<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nHans-J\u00f6rg Lohn (Casio, Kramzeug)\u2028David Ender (Bass, Synthesizer, Schreberinstrumente)\r\nIn einem kleinen ungarischen Dorf haben sich der bildende K\u00fcnstler Hans-J\u00f6rg Lohn und der Musiker, Schriftsteller und Performer David Ender zu musikalischen Umtrieben und Forschungsreisen zusammengefunden. Die gemeinsame Abenteuerlust f\u00fchrte schlie\u00dflich zur Entstehung des Duos lohn:ender G\u0159ammelsound. In ihren Explorationen schrecken Lohn und Ender weder vor musikalischen Gemeinpl\u00e4tzen und Banalit\u00e4ten zur\u00fcck, noch machen sie Halt vor der experimentellen Seite des H\u00f6rens und Klingens. Stimmung und Umgebung beeinflussen dabei den musikalischen Werdegang der jeweiligen Auff\u00fchrung.\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Julia Zastava: Something must happen<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\n\u201cSomething must happen\u201d exposes a dream-like reality and shows a life based on a mode of consciousness that could be considered as entranced. In a series of different sceneries, Julia Zastava performs actions in an enchanted way. Even when on her own, she fulfills her tasks without questioning. Elements taken from computer games define the flow, a whip leads through the trip, before it gets finally burned. The effort to escape pre-constructed habits ends in a prefigured mode. The other side, another possible solution, lies in the spectator\u2019s eye.\r\nWhy does the lady keep on peeling potatoes in the sleeping room? The whip knows. She fulfills duties like in a game. Jewels will be the reward. But only abstract ones, sketches of gems, whose colors seemed to have disappeared into the sky, the waters or into the rainbow of the meditative closing scene. The fulfillment of the induced expectations lies beyond the screen, the images might give a call to reach out beyond too. The video triggers, but does not unveil. It is up to the viewer to anticipate other outcomes.\r\n(Philipp Levar)\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><h9>Elisabeth Ward: I never, ever remember<\/h9>\r\n<br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>\r\nElizabeth Ward and Nicholas Hoffman begin with a strategy taken from Rauschenberg\u00b4s memoirs describing his approach to stage design while on tour with the Cunningham company- arriving in a new city he would go for a walk and find what could be found on the streets. Tuesday morning they also take to the streets to see what the city offers. Once at nada they will begin with a warm up class and get to work creating and remembering choreography.\r\n\r\n\r\n<\/div>","protected":false},"excerpt":{"rendered":"<p>nadaLokal 2009-2016 8.11. Tuesday (Closing party) Fanni Futterknecht: ACROSS THE WHITE In Across the White Fanni Futterknecht focuses on the colour white; referring to colour in painting but also in a metaphorical sense to point out references to the context of the white cube. White symbolizes the space of emptiness giving space to the imaginary&#8230;  <a class=\"excerpt-read-more\" href=\"https:\/\/www.nadalokal.at\/?p=3979\" title=\"Read\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,284,286],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts\/3979"}],"collection":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3979"}],"version-history":[{"count":10,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts\/3979\/revisions"}],"predecessor-version":[{"id":3991,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=\/wp\/v2\/posts\/3979\/revisions\/3991"}],"wp:attachment":[{"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3979"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3979"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nadalokal.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}